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Stop Telling Women To Smile

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Stop Telling Women to Smile is an art series by Tatyana Fazlalizadeh. The work attempts to address gender based street harassment by placing drawn portraits of women, composed with captions that speak directly to offenders, outside in public spaces. 

Tatyana Falalizadeh is an illustrator/painter based in Brooklyn, mostly known for her oil paintings. Having recently branched out into public art as a muralist, STWTS was born out of the idea that street art can be an impactful tool for tackling street harassment. 

STWTS started in Brooklyn in the fall of 2012. It is an on-going, travelling series and will gradually include many cities and many women participants. 

Street harassment is a serious issue that affects women world wide. This project takes women’s voices, and faces, and puts them in the street - creating a bold presence for women in an environment where they are so often made to feel uncomfortable and unsafe. 

Stop Telling Women to Smile video filmed and edited by Dean Peterson

stoptellingwomentosmile.com
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Although Films For Action is centered around film - its true objective is the transformation of the world. This means moving away from the unsustainable paradigm we have now to a regenerative paradigm, as fast as humanly possible.  

Film is the medium of delivery -- the catalyst, the metabolizing agent to speed up, amplify and multiply the effects of every transition movement on the planet. And of course, "transition" contains it all - social justice, ecological regeneration, true democracy, egalitarian economics, universal empathy, less cultural insanity and more happiness and well-being.

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Watch any network TV channel for 24 hours or read the newspaper for a week, and you will see what we mean. The dominant narratives which drive the national debate and become "common knowledge" is more often superficial, focused on symptoms rather than root causes, and reinforces the conventional "two sides" within the status quo. The lies and spin promoted by figures in power become well known, while voices that challenge and expand the range of debate rarely get heard. But most importantly, the level of repetition and volume of coverage is what counts. What gets covered day after day, and what gets covered once and is forgotten, or not covered at all? That's why we need a media movement that's dedicated to elevating the voices that aren't getting heard. We need media alternatives that make social change its primary focus. That's why Films For Action exists.

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