#CuraDaTerra Maria Choc: curar el cuerpo

Agro-industrial corporations have turned our territories into green deserts, poisoned our bodies, and criminalized communities that defend their ancestral lands. Women who fight for our freedom are living alternatives to the climate crisis. Global Indigenous Women's Meeting #CuraDaTerra 2021 --- PRODUCED by Andrea Ixchíu and Federico Zuvire of #HackeoCultural and the Guatemalan Federation of Radio Schools (FGER) as part of a research project for the Bertha Challenge, with support from ECAM - IMCINE. ARCHIVE: Hackeo Cultural, Elijo Dignidad, Festivales Solidarios, Suculenta, Archive.org, and recycled materials to reduce the ecological footprint of audiovisual production. MUSIC: Free Music Archive FMA “Stir,” “Under the ending sun,” “Shimmer,” “Under bunyip wood” by Krackatoa CC BY-NC-SA. COMMON CREATORS: Bertha Challenge + Hackeo Cultural 2021 | Attribution - Non Commercial 4.0 International (CC BY-NC 4.0) | contact [email protected]

Las corporaciones de agroindustria han convertido nuestros territorios en desiertos verdes, han envenenado nuestros cuerpos y criminalizan a las comunidades que defienden la tierra ancestral. Las mujeres que luchamos por nuestra libertad, somos alternativas vivas a la crisis climática. Encuentro Global de Mujeres Indígenas #CuraDaTerra 2021 --- REALIZADO por Andrea Ixchíu y Federico Zuvire de #HackeoCultural y la Federación Guatemalteca de Escuelas Radiofónicas (FGER) como parte de un proyecto de investigación para el Bertha Challenge, con apoyo de ECAM - IMCINE. ARCHIVO: Hackeo Cultural, Elijo Dignidad, Festivales Solidarios, Suculenta, Archive.org y Materiales Reciclados para reducir la huella ecológica de la producción audiovisual. MÚSICA: Free Music Archive FMA ‘Stir’, ‘Under the ending sun’, ‘Shimmer’, ‘Under bunyip wood’ por Krackatoa CC BY-NC-SA. CREATIVOS COMUNES: Bertha Challenge + Hackeo Cultural 2021 | Attribution - Non Commercial 4.0 International (CC BY-NC 4.0) | contacto [email protected]

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Climate Change   Indigeneity   Solutions
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