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Wantoks: Dance of Resilience in Melanesia

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In 2018, the Solomon Islands, in the South Pacific, hosted the Melanesian Arts & Cultural Festival, celebrating the country’s fortieth anniversary of independence.

On neighboring island states, the struggle for freedom continues, as West Papua resists Indonesian occupation and the residents of New Caledonia still live under French rule.

In all Melanesian countries, residents face the common challenge of climate change, as rising sea levels threaten to swallow both land and tradition. In this charged context, captivating performers are using their talents to celebrate local culture and draw international attention to their islands’ plight, with the hope of spurring international solidarity and prompting collective action against the perils of a warming world.

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Goal: To rapidly transition to a just, ecologically sustainable, holistic way of living as fast as possible.

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Although Films For Action is centered around film - its true objective is the transformation of the world. This means moving away from the unsustainable paradigm we have now to a regenerative paradigm, as fast as humanly possible.  

Film is the medium of delivery -- the catalyst, the metabolizing agent to speed up, amplify and multiply the effects of every transition movement on the planet. And of course, "transition" contains it all - social justice, ecological regeneration, true democracy, egalitarian economics, universal empathy, less cultural insanity and more happiness and well-being.

All of these movements need a media ecosystem that supports this transition, rather than the media we have today which marginalizes it, ignores it, sanitizes it, suppresses it, or actively fights it. There is certainly good coverage across many different news outlets, and the quality and depth varies, but in terms of volume, the good stuff is easily lost in the deluge of superficial concerns.

Watch any network TV channel for 24 hours or read the newspaper for a week, and you will see what we mean. The dominant narratives which drive the national debate and become "common knowledge" is more often superficial, focused on symptoms rather than root causes, and reinforces the conventional "two sides" within the status quo. The lies and spin promoted by figures in power become well known, while voices that challenge and expand the range of debate rarely get heard. But most importantly, the level of repetition and volume of coverage is what counts. What gets covered day after day, and what gets covered once and is forgotten, or not covered at all? That's why we need a media movement that's dedicated to elevating the voices that aren't getting heard. We need media alternatives that make social change its primary focus. That's why Films For Action exists.

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