Since the naturalization of gender violence, two options are proposed: on the one hand a break in the same terms, a collective response of execution against violence; and secondly, the reproduction of indifference crystallized in the eye that sees everything: the panopticon.
The work wants to show as indifference plays through the panopticon. Symmetrical locked in cubicles, all located in the same space, the same movements are reproduced almost mechanically. In terms of gender roles assigned to us it establishes rules and punishments. Becoming repeat an immense assembly parts. Without allowing reflection from violence that imposes its rhythm relentless pace of chains in cement cubicles.
Life as an assembly. this coming and going is reduced in 24 hours, each plays a role, each is a piece of the great invisible machinery. The only thing that can break this chain, is a mistake in the same assembly line. which stops for a short period of time. It is corrected, and reprises that arrhythmic pace, that pace, without rhythm.
The woman designated as domestic object is who is most exposed to the violence of a society that naturalizes daily aggressions and felt increasingly foreign to their claims.
However, the Panopticon not provide intrinsic solidarity that appears when you string line breaks and anger overflows. If we organize in defense of our freedoms and got up jointly, the demand for justice is no longer an individual to become silent