In MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD, Oscar (R)-winning filmmaker Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men, who in the first known case of public protest, set out to expose the priest who abused them. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican
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