By Lynn Parramore
Mar 14, 2017
Across the globe, a collective freak-out spanning the whole political system is picking up steam with every new “surprise” election, rush of tormented souls across borders, and tweet from the star of America’s great unreality show, Donald Trump.
But what exactly is the force that seems to be pushing us towards Armageddon? Is it capitalism gone wild? Globalization? Political corruption? Techno-nightmares?
Rajani Kanth, a political economist, social thinker, and poet, goes beyond any of these explanations for the answer. In his view, what’s throwing most of us off kilter — whether we think of ourselves as on the left or right, capitalist or socialist —was birthed 400 years ago during the period of the Enlightenment. It’s a set of assumptions, a particular way of looking at the world that pushed out previous modes of existence, many quite ancient and time-tested, and eventually rose to dominate the world in its Anglo-American form.
We’re taught to think of the Enlightenment as the blessed end to the Dark Ages, a splendid blossoming of human reason. But what if instead of bringing us to a better world, some of this period’s key ideas ended up producing something even darker?
Kanth argues that this framework, which he calls Eurocentric modernism, is collapsing, and unless we understand why and how it has distorted our reality, we might just end up burnt to a crisp as this misanthropic Death Star starts to bulge and blaze in its dying throes.
A mass incarceration of humanity
Kanth’s latest book, Farewell to Modernism: On Human Devolution in the Twenty-First Century, tells the history of a set of bad ideas. He first caught the scent that something was off as an economics student in India, wondering why, despite his mastery of the mathematics and technology of the discipline, the logic always escaped him. Then one day he had an epiphany: the whole thing was “cockeyed from start to finish.” To his amazement, his best teachers agreed. “Then why are we studying economics?” demanded the pupil. “To protect ourselves from the lies of economists,” replied the great economist Joan Robinson.
Kanth realized that people are not at all like Adam Smith’s homo economicus, a narrowly self-interested agent trucking and bartering through life. Smith had turned the human race — a species capable of wondrous caring, creativity, and conviviality — into a nasty horde of instinctive materialists: a society of hustlers.
Using his training in history and cultural theory, Kanth dedicated himself to investigating how this way of thinking took hold of us, and how it delivered a society which is essentially asocial — one in which everybody sees everybody else as a means to their own private ends. Eurocentric modernism, he argues, consigned us to an endless and exhausting Hobbesian competition. For every expansion of the market, we found our social space shrunk and our natural environment spoiled. For every benefit we received, there came a new way to pit us against each other. Have the costs become too high?
The creed of capture
The Eurocentric modernist program, according to Kanth, has four planks: a blind faith in science; a self-serving belief in progress; rampant materialism; and a penchant for using state violence to achieve its ends. In a nutshell, it’s a habit of placing individual self-interest above the welfare of community and society.
To illustrate one of its signature follies, Kanth refers to that great Hollywood ode to the Western spirit, “The Sound of Music.” Early in the film, the Mother Superior bursts into song, calling on the nun Maria to “climb every mountain, ford every stream.”
Sounds exhilarating, but to what end? Why exactly do we need to ford every stream? From the Eurocentric modernist viewpoint, Kanth says, the answer is not so innocent: we secretly do it so that we can say to ourselves, “Look, I achieved something that’s beyond the reach of somebody else.” Hooray for me!
“That’s our big dream,” says Kanth. “Everyone and everything is a stepping stone to our personal glorification.” When others get in our way, we end up with a grim take on life described succinctly by Jean Paul Sartre: “Hell is other people.”
Sounds bad, but didn’t Eurocentric modernism also give us our great democratic ideals of equality and liberty to elevate and protect us?
Maybe these notions are not really our salvation, suggests Kanth. He notes that when we replace the vital ties of kinship and community with abstract contractual relations, or when we find that the only sanctioned paths in life are that of consumer or producer, we become alienated and depressed in spirit. Abstract rights like liberty and equality turn out to be rather cold comfort. These ideas, however lofty, may not get at the most basic human wants and needs.
What we lack, according to Kanth, is a realistic approach to anthropology, without which our forays into economics, psychology, sociology, and pretty much everything are hopelessly skewed. In his view, the Eurocentric modernist tradition, influenced by the Judeo-Christian idea that we are distinct from the world of nature, seeks to separate us from the animal world. We are supposed to be above it, immortal, transcending our bodies and the Earth.
But it doesn’t quite work.
We may be able to perform dazzling technical feats, like putting a colony on Mars, but we will pay for it by working even harder and longer hours so that a few may get the benefit. A whole lot of lost time and suffering, and for what? Kanth points out that the Bushmen do not have a Mars rocket, but they do have a two-and-a-half-day workweek — something that most modern humans can only dream of. What’s more significant to the lives of most of us?
“We have become unhinged from our own human nature as heat-seeking mammals,” says Kanth. “What we really crave is warmth, security, and care — the kinds of things we get at home and in close social units.” Our greatest human need, he says, is something far more humble than launching rockets: we want to huddle.
Why we don’t need utopias
Utopian dreamers have often longed for a more hospitable way of living. But Kanth believes that when they look to politics, economics or philosophy for answers, they are missing the best inspiration: human anthropology. The key is not to project ourselves into the future, but to learn from the practical, beneficial ways humans have lived in the past and still do, in some cases, in the present — places where our worst instincts are contained through affective reciprocities, goodwill, and care.
Kanth thinks what we’d much prefer is to live in what he calls a “social economy of affections,” or, put more simply, a moral economy. He points out that the simple societies Europeans were so moved by when they first began to study them, conjuring images of the “noble savage,” tended toward cooperation, not competition. They emphasized feeling and mutual affection. Karl Marx got his idea of communism from looking at the early anthropological studies of simple societies, where he was inspired by the way humans tended to relate to each other.
“Today we are taught to believe that society doesn’t owe us a living,” says Kanth. “Well, in simple societies they felt the exact opposite. Everybody owed everybody else. There were mutual ties. People didn’t rely on a social contract that you can break. Instead, they had a social compact. You can’t break it. You’re born with it, and you’re delighted to be part of it because it nurtures you. That’s very different from a Hobbesian notion that we’re all out to zap each other.”
Kanth points out that you don’t have to just look to the Bushmen or to Aboriginals for examples: you can find them in America and elsewhere in networks of women and workers, as well as traditional and tribal societies that have carried on the tradition of a moral economy.
Women, he emphasizes, have retained the instinct to nurture because the human child is especially vulnerable compared to the young of many animal species. They have to create peaceful, nurturing conditions or the human race can’t survive.
“There is no other fount of social morality itself,” says Kanth. He faults Eurocentric modernists for centering on male aggression and taking it to represent everybody, which is unfair.
As Kanth sees it, most of our utopian visions carry on the errors and limitations born of a misguided view of human nature. That’s why communism, as it was practiced in the Soviet Union and elsewhere, projected a materialist perspective on progress while ignoring the natural human instinct for autonomy— the ability to decide for ourselves where to go and what to say and create. On flip side, capitalism runs against our instinct to trust and take care of each other.
So what do we do?
Kanth, like many, senses that a global financial crisis, or some other equivalent catastrophe, like war or natural disaster, may soon produce painful and seismic economic and political disruptions. Perhaps only then will human nature reassert itself as we come to rediscover the crucial nexus of reciprocities that is our real heritage. That’s what will enable us to survive.
Hopefully it won’t come to that, but right now, we can learn to “step out and breathe again,” says Kanth. We can “reclaim our natural social heritage, which is our instincts for care, consideration, and conviviality.” Even in large cities, he observes, we naturally tend to function within small groups of reference even though we are forced into larger entities in the workplace and other arenas. There, we can build and enrich our social ties, and seek to act according to our moral instincts. We can also resist and defy the institutions that deny our real humanity. Rather than violence or revolution, we can engage in “evasion and disobedience and exile.”
We had better get to it, he warns. To put it bluntly, Eurocentric modernism is not compatible with human civilization. One of them has got to go.
Lynn Parramore is a cofounder of Recessionwire, founding editor of New Deal 2.0, and author of "Reading the Sphinx: Ancient Egypt in Nineteenth-Century Literary Culture." She received her Ph.D. in English and cultural theory from NYU, and she serves on the editorial board of Lapham's Quarterly. Follow her on Twitter @LynnParramore.