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"Desert Goddess" Remembers Arizona's Glen Canyon

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In this excerpt from the award-winning documentary DamNation, filmmakers Ben Knight and Travis Rummel interview the "desert goddess," Katie Lee.

When the Glen Canyon Dam was approved in April 1956, a group of archeologists and river runners set out to document more than 250 culturally significant sites and 125 side canyons that would be flooded by the project. One of those river runners was Katie Lee, a folk singer and Hollywood starlet turned activist. As she describes, "We would go around a corner, and spread out before us would be this incredible site ... Everything was in the right position; everything was perfect." 
 
In this excerpt from the award-winning documentary DamNationfilmmakers Ben Knight and Travis Rummel interview the "desert goddess." Now in her 90s, Lee reminisces about walking naked through the enchanting landscape—"It was absolutely the most natural thing in the world"—and the significance of what was lost in the flood. "I don't think Eden could have touched Glen Canyon," she says. DamNation was produced by Matt Stoecker and Patagonia, and the full-length film can be seen through Vimeo on Demand.
damnationfilm.com
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Goal: To rapidly transition to a just, ecologically sustainable, holistic way of living as fast as possible.

We believe the first step to achieve this goal should be an information delivery network that can amplify the impacts of all our efforts 1000 fold. 

Although Films For Action is centered around film - its true objective is the transformation of the world. This means moving away from the unsustainable paradigm we have now to a regenerative paradigm, as fast as humanly possible.  

Film is the medium of delivery -- the catalyst, the metabolizing agent to speed up, amplify and multiply the effects of every transition movement on the planet. And of course, "transition" contains it all - social justice, ecological regeneration, true democracy, egalitarian economics, universal empathy, less cultural insanity and more happiness and well-being.

All of these movements need a media ecosystem that supports this transition, rather than the media we have today which marginalizes it, ignores it, sanitizes it, suppresses it, or actively fights it. There is certainly good coverage across many different news outlets, and the quality and depth varies, but in terms of volume, the good stuff is easily lost in the deluge of superficial concerns.

Watch any network TV channel for 24 hours or read the newspaper for a week, and you will see what we mean. The dominant narratives which drive the national debate and become "common knowledge" is more often superficial, focused on symptoms rather than root causes, and reinforces the conventional "two sides" within the status quo. The lies and spin promoted by figures in power become well known, while voices that challenge and expand the range of debate rarely get heard. But most importantly, the level of repetition and volume of coverage is what counts. What gets covered day after day, and what gets covered once and is forgotten, or not covered at all? That's why we need a media movement that's dedicated to elevating the voices that aren't getting heard. We need media alternatives that make social change its primary focus. That's why Films For Action exists.

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