In The Mona Lisa Curse, art critic Robert Hughes subjected present-day commercialisation of art to a withering criticism. It's a damning indictment of the general tendency of art to degenerate into flashy triviality to the degree that it subordinates itself to money-making and capitalist market economics. It condemned the British artist Hirst for "functioning like a commercial brand" and destroying any true understanding of art in the public's mind by placing importance on the price tag alone. (Alan Woods)
For $5 a month, you'll gain access to over 50 patron-exclusive documentaries while keeping us ad-free and financially independent. We need 350 more Patrons to grow our team in 2024.
Subscribe here
Our 6000+ video library is 99% free, ad-free, and entirely community-funded thanks to our patrons!